How James Cameron Helped Me

I have three WIPs.

Don't tell my husband. He wants me to finish something -- anything! And having three at once will probably make the process slower. However, I am working on all three. It's just that I don't always feel like working on my fun romantic comedy. Sometimes I want to write about my life. And sometimes I want to write fantasy.

This exactly mimics my reading habits, which I think makes sense.

Last night, me and Mr. T watched Date Night with Tina Fey and Steve Carrell. It was a cute story, and I found myself paying close attention to how the storyline went, the rhythm of ups and downs, and how it all tied together at the end.

When it was over, I immediately looked up the screenplay online, but could not find it. I found screenplays for other movies I enjoy, though, like Legally Blonde, The Breakfast Club and Up.

I am intrigued by screenplays. To me, they are more concise novels. Everything has to count -- as it should be in a book. Every piece of dialogue must move the story forward. Every scene, too. I feel like this is more pronounced in films since there is sort of a time limit.

Since Date Night reminded me of True Lies in a way, when I saw the screenplay was available, I had to look at it. True Lies is not my favorite film, but I've always found it interesting and enjoyable. (I hadn't realized James Cameron wrote it.) Plus, Tom Arnold has some great lines in it.

I love how this screenplay was done! It's so organized. Every single mini-scene has it's own number. And it really drove home the point of dialogue telling the viewer (reader) something, but not overtly. For example, look at this:

"40 INT. BATHROOM - DAY

Harry and Helen maneuver around each other expertly. She is
doing her make-up.

HELEN
The plumber came yesterday. He
said they have to dig under the
slab or something and it's going
to be six hundred dollars to fix.

Harry is not really paying attention as he ties his tie in
front of the mirror. His mind is elsewhere. He couldn't care
less about there domestic problems.

HARRY
Uh huh. Okay.

HELEN
It's not okay. It's extortion.

HARRY
What did you tell him?

HELEN
I slept with him and he knocked
off a hundred bucks.

HARRY
Good thinking, honey.

Harry kisses her on the cheek and exits."

Isn't that wonderful? They were talking about the plumber yet I learned Harry is disconnected from his wife and that she knows it. Just one little scene. Scene #40 to be exact.

For some reason, this idea of moving the story forward through conversation just totally clicked in my brain. I knew I was supposed to be doing it, but was sort of struggling with how to do it. You know what I mean? Scene 40 from True Lies is just such a good example!

I'm also using Cameron's number system to write my novel. It's working for me. It helps me break things up into small manageable scenes. And I know it will help with editing later when I need to go back. I can just write on the page, "Insert this in Scene 40."

I'm bookmarking this script, which you can find HERE. The site I got it at is called SimplyScripts and there are a ton of films on there. If you are struggling to organize your novel and tighten the dialogue, infuse conflict or anything else you can't quite put your finger on, I would suggest checking out the site and looking up the screenplays for some films you admire.

Historical Fiction Romantic Comedy?

I had to watch something at work today that was about the Gold Rush and I found it absolutely fascinating.

I realized something, too. I like history. I like how it explains things. "Oh, that's why it's that way." For example, I always wondered how the heck Rough and Ready got it's name. For real? Rough and Ready? But I learned it was a boomtown in frontier California and the miners gave towns "fitting" names. Very interesting.

And, when I really think about it, some of my favorite novels are set in significant historical events: Captain Corelli's Mandolin (the book, not the movie), Memoirs of a Geisha (again, the book), Cold Mountain (and yet again, the book), Atonement and all of Gail Tsukiyama's beautiful stories. Could I set a romantic comedy in history? I thought today.

Ron Howard did it with Bob and Howard Dolman's Far and Away, which is one of my favorite films even though Tom Cruise is in it, but it's pre-crazy Cruise so I feel okay about it.

So, it's not exactly a romantic comedy, but it has romance, adventure and some funny moments ("I do not wish to fight you"), and it's set around the Land Run of 1893.

Just a thought I wanted to throw out there...I really have no point.

Pop, Crack, Boom, Sizzle: Fireworks and Romantic Comedies

Fireworks always remind me of Sleepless in Seattle. You know, when Tom Hanks is standing on the back deck of his floating house in Lake Union? He misses his wife. The audience just hears the pop-pop of the small explosions across the lake. I don't think it was the Fourth, though. I think it was New Year's.

But I'm sitting on my couch tonight. It's almost 10 on July 3rd and, thanks to my eager neighbors, I'm getting my own private show outside my living room window.

I'm watching When Harry Met Sally, too, which is sort of funny since the fireworks remind me of another romantic comedy she's in. I heart these two movies, and I may have mentioned before that my all-time favorite is You've Got Mail.

Romantic comedies are the best. I love them in the written form and the cinematic. I'm thinking I should write something I would read. Now there's a novel idea.